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Campesinos Having a Smoke Break on a Bridge Parapet
Horse and Cart Reflection in a Puddle
Game of Dominoes in the Street
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People from a neighborhood community of Camagüey play dominoes on Saturday, April 15, 2015. Dominos have acquired essential characteristics of the Cuban identity, such as the phrases, the gestures, the tone of voice and the sayings.
People from a neighborhood community of Camagüey play dominoes on Saturday, April 15, 2015. Dominos have acquired essential characteristics of the Cuban identity, such as the phrases, the gestures, the tone of voice and the sayings.
Portrait of an Elderly Woman in her Home which had only Half a Roof
Portrait of Gloria Bencomo in the Doorway of her Home
Local Cubans on a Ferrobus
Local Travellers on a Ferrobus
Sunrise at the Malecon
Portrait of a Man with a Hat
Architectural Details
Old Supports from Abandoned Pier
Green 1952 Chevy next to Revolutionary Mural
The Church of Nuestra Señora La Virgen de la Caridad
Statue of Antonio Maceo
Bicycle Taxis Parked on the Side of the Road
Portrait of Rebeca Cunil
22 Year Old Woman Standing Next to her Quinceañera Photo
Spectators at I Diavulazzi I' Pasqua e L'Angelicata
This religious folk drama is held in a town square, Piazza Umberto 1, where a stage is built with the Hell on one side and Heaven on the other. The script is attributed to a priest of the 18th century from the town of Adrano: Death is killed by the Humanity; Lucifer vents his rage but the Archangel Michael keeps guard. The Diavolata symbolises the triumph of the Good over the Evil.
Spectators at I Diavulazzi I' Pasqua e L'Angelicata
This religious folk drama is held in a town square, Piazza Umberto 1, where a stage is built with the Hell on one side and Heaven on the other. The script is attributed to a priest of the 18th century from the town of Adrano: Death is killed by the Humanity; Lucifer vents his rage but the Archangel Michael keeps guard. The Diavolata symbolises the triumph of the Good over the Evil.
Men Running Carrying a Statue of Jesus at I Diavulazzi I' Pasqua e L'Angelicata
This religious folk drama is held in a town square, Piazza Umberto 1, where a stage is built with the Hell on one side and Heaven on the other. The script is attributed to a priest of the 18th century from the town of Adrano: Death is killed by the Humanity; Lucifer vents his rage but the Archangel Michael keeps guard. The Diavolata symbolises the triumph of the Good over the Evil.
Men Carrying an Angel to the Stage of I Diavulazzi I' Pasqua e L'Angelicata
This religious folk drama is held in a town square, Piazza Umberto 1, where a stage is built with the Hell on one side and Heaven on the other. The script is attributed to a priest of the 18th century from the town of Adrano: Death is killed by the Humanity; Lucifer vents his rage but the Archangel Michael keeps guard. The Diavolata symbolises the triumph of the Good over the Evil.
View of the Palermo Skyline from the Roof of the Ambasciatori Hotel
The Town and the Cathedral, or Matrice at Petralia Sottana
The finest buildings in Petralia Sottana are the churches. The Cathedral, or Matrice, is baroque outside and neo-classic inside. The main western portal, the cupola and the campanile are fine examples of the rugged, unadorned baroque of Sicilian mountain towns generally. Inside are paintings by Giuseppe Salerno and Gagini.
The Town and the Cathedral, or Matrice at Petralia Sottana
The finest buildings in Petralia Sottana are the churches. The Cathedral, or Matrice, is baroque outside and neo-classic inside. The main western portal, the cupola and the campanile are fine examples of the rugged, unadorned baroque of Sicilian mountain towns generally. Inside are paintings by Giuseppe Salerno and Gagini.
The Town and the Cathedral, or Matrice at Petralia Sottana
The finest buildings in Petralia Sottana are the churches. The Cathedral, or Matrice, is baroque outside and neo-classic inside. The main western portal, the cupola and the campanile are fine examples of the rugged, unadorned baroque of Sicilian mountain towns generally. Inside are paintings by Giuseppe Salerno and Gagini.
The Town and the Cathedral, or Matrice at Petralia Sottana
The finest buildings in Petralia Sottana are the churches. The Cathedral, or Matrice, is baroque outside and neo-classic inside. The main western portal, the cupola and the campanile are fine examples of the rugged, unadorned baroque of Sicilian mountain towns generally. Inside are paintings by Giuseppe Salerno and Gagini.
Wind Blown Smoke from Stromboli at Dusk
San Bartolomeo Church, Stromboli, Aeolian Islands, Sicily
Detail of Building and Shade Awning
Shadows from a Bamboo Cane Shade Awning on Home
Scooters Parked in a Narrow Alley
The Town and the Cathedral, or Matrice of Petralia Sottana
The finest buildings in Petralia Sottana are the churches. The Cathedral, or Matrice, is baroque outside and neo-classic inside. The main western portal, the cupola and the campanile are fine examples of the rugged, unadorned baroque of Sicilian mountain towns generally. Inside are paintings by Giuseppe Salerno and Gagini.
